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Audubon used a variety of techniques to create his drawings of birds. Audubon’s simple works are made in watercolor and graphite, or in pastel and graphite, but he often used a combination of techniques. He found it challenging to use gouache, oil paint, chalk and even collage.
Audubon was self-taught and always eager to learn and innovate.
Three of Audubon’s drawings are particularly special because he applied metallic gold paint.
We do not know if this involved the use of gold foil, or a powder of bronze or brass, but to find out it would be necessary to subject the drawings to more technical research and this has never been done.
Audubon usually started his works with a graphite sketch which was then overpainted with pastel or watercolor.
Later on, he used a mix of pastel and watercolor, usually allowing the watercolor to dry before the application of the pastel.
However, he also developed a more complex technique of applying pastel over wet watercolor, enabling him to alter the intensity and reflective quality of the painting.
Metallic paint is seen in these three drawings – the Wild Turkey, the Mallard Duck and the Throated Hummingbirds.
A gold-colored layer of paint is used initially, which is then partially covered by watercolor.
However, Audubon only used this metal technique in three drawings and was probably not completely satisfied with the effect it created.
Yet the three illustrations are sparkling and expressive. Audubon depicts them life-size in their natural habitat, and it seems as if the birds in the painting can suddenly just fly into your room.
Over 3,000 historic giclee prints, 16 artists and 40 complete sets
We are more than happy to help. Just send us a message, and we will be in touch
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